Berserker Oak / Ivaldi / Chronicle
IVL-DT-0001 · 2026 · First Ivaldi

Skidbladnir

Pen tray. Floats above the desk.

The market offers pen trays. Glue-laminated wood, veneer, plastic, resin. I couldn't find anything in solid ash, with a live edge, sized to fit my hand. So I made one.

Material
Ash
Channels
4
Size
~25cm
Skidbladnir — pen tray in solid ash, four channels, live edge
Skidbladnir · ash · 4 channels · April 2026
Manifesto · Skidbladnir

It started
with a gap in the market.

I collect fountain pens. Parker, Lamy, TWSBI, Faber-Castell. Each with its own weight, each with its own rhythm. They lay on the desktop, rolled, fell off.

I looked for a tray. Everything I found was either plastic, glue-laminated wood, or epoxy pretending to be a "natural look". None of it felt right.

So I made one for myself. A single piece of ash, four channels, live edge at the front. Skidbladnir — the ship of the sons of Ivaldi, which always caught a fair wind. Four channels like four boats in a harbour.

Skidbladnir — perspective view, three pens in channels, live edge at the front
3/4 view · three pens from the collection · home desk
Specification

Sized
to my hand.

◆ Dimensions
Length23–27 cm (angled)
Width11 cm
Height3 cm
Weight467 g
◆ Material
WoodSolid ash
EdgeLive edge · bark preserved
FinishOil
◆ Channels
Count4 · routed
ProfileEven · light differentiates them
OrientationAlong the grain
◆ Function
Capacity4 pens / writing instruments
BaseRubber feet · floats
NumberIVL-DT-0001 · stamped on the underside
Construction

Four grooves,
one router bit.

Four channels routed in parallel. Same depth, same width, same angle. Tool regularity, not chisel experiment. The router does the symmetry — from me, only the direction.

But each channel gets a different grain pattern. The wood has its own orientation and the router follows it. The grain enters one side and exits the other — and on the way it shows what it's been through. That's the moment when tool and material agree on direction, not on detail.

The live edge stays. The bark clings to the ash where it has always been. I don't trim it, I don't fill it, I don't pour epoxy over it.

Skidbladnir — ash grain along the channels, top view
Grain · the wood's drawing
Skidbladnir — live edge, ash bark in macro
Live edge · bark
Details

Levitation
and number.

Rubber feet on the underside. Small, black, barely visible. But the tray floats above the desktop — a few millimetres of air between wood and desk. Doesn't scratch, doesn't slide, doesn't touch.

On the underside — "IVL-DT-0001" stamped in. Number in the Berserker Oak system, the first piece of the Ivaldi line. A mark like on steel — except in wood, it stays forever.

Skidbladnir — perspective view with pens
Perspective
Skidbladnir — profile, floating effect
Levitation
Skidbladnir — bark macro
Bark · macro
Skidbladnir — rubber foot from above, live edge
Foot · detail
Skidbladnir — stamped number IVL-DT-0001
IVL-DT-0001 · number
Skidbladnir — top view with pens in channels
Top-down · with the collection
I didn't make this to sell.
I made it so I could use it.
That it can be sold — is a bonus.
— from workshop notes
Context

First Ivaldi.
Not the last.

Ivaldi is the newest line of Berserker Oak. The forge of desk tools. The sons of Ivaldi forged Mjölnir for Thor, Gungnir for Odin, the golden hair for Sif. They didn't make much — but what they made changed the world.

Yggdrasil takes months. Ivaldi — hours. This is not a compromise, it is the nature of the line. Furniture is patient, tools are fast. Skidbladnir was made in a single afternoon — from raw plank to stamped number.

The first thing in the Ivaldi line. Made for myself, marked IVL-DT-0001 because other IVL-DTs will come. I don't know when, I don't know how many, I don't know from what wood. I know they will.

This one — this first one — sits on my desk. Working.

4
channels
2h
from plank to stamped number
467g
of ash
0001
in the Ivaldi line
Skidbladnir — pen tray floats above the oak desk
Floats · a few millimetres of air
Archive · 30+ works · 2023–2026
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